Culture and cultures
Letzbor K.V. —
Certain aspects of the Russian linguistic worldview on the example of the film “Moscow Does Not Believe in Tears”
// Man and Culture.
– 2018. – ¹ 2.
– P. 1 - 11.
DOI: 10.25136/2409-8744.2018.2.25835 URL: http://en. nbpublish.com/library_read_article.php?id=25835
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The focus of this article is the linguoculturology and the linguistic worldview as its components. The goal is the analysis of the popular melodrama of V. Menshov “Moscow Does Not Believe in Tears” (1979) as a demonstrative sociocultural commentary of some aspects of the Russian linguistic worldview. The work attempts to determine the key linguistic moments, which are typical for the Russian linguistic worldview, but absent in the Western European, as well as provide their brief description. For comparison was taken the Italian national worldview. Based on the comparative analysis of the known scientific and methodological literature, were highlighted the main phenomena of the Russian worldview in contrast with the Italian. Descriptive method was applied for analyzing the film and determination of the important, from culturological perspective, sides of the Russian culture and everyday life. The scientific novelty lies in suggestion to use the examples from the national cinematography for illustration of the aspects of the Russian worldview. The author discusses the key components of the Russian national worldview, such as country house, temporary resident worker, difference in the capital and provincial quality of life, pioneers, academic degrees, traditions of celebration, implicit meaning of the thematic verbs. The practical importance is presented mostly for teaching foreigners Russian language and culture.
Russian cinematography, cinematography, national cultural semantics, culture, linguistical world view, world view, cultural studies, Russian culture, teaching Russian as foreign language, Russian world view
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Lettsbor K.V. Interpretatsiya ital'yanskoĭ natsional'no-kul'turnoĭ semantiki na prak
Culture of art and the process of creation
Shapovalova N.V. —
Crimean War in the creative works of veterans of 1812 (based on the oeuvres of P. A. Vyazemsky and F. N. Glinka)
// Man and Culture.
– 2018. – ¹ 2.
– P. 12 - 19.
DOI: 10.25136/2409-8744.2018.2.25941 URL: http://en. nbpublish.com/library_read_article.php?id=25941
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The subject of this article is the poetry of the Russian authors, veterans of Patriotic War 1812 – Pyotr Andreyevich Vyazemsky and Fyodor Nikolaevich Glinka dedicated to the Crimean War and Siege of Sevastopol in 1854-1855. The analysis of their poems created over the period of 1853-1967 is conducted. They touch upon various topics: glorification of heroes and military commanders, military operations in Caucasus, bombardment of Odessa, siege of Sevastopol, perception of Crimean war as religious war, satirical reviews of military operations of the allies, etc. The article also examines the question of comprehension of the Crimean War by Russian society through the prism of the historical experience of 1812. Methodological foundation contains the principle of historical cognition: objectivity and historicism. The author applies the comparative-historical methods: poetry is viewed on the background of publicist works and literary process of the era in general. Reference to fiction predetermined the use of interdisciplinary methods from the arsenal of philology and literature studies, particularly textological methods and structural analysis. The work h reveals the main motifs reflected in the creative works of F. N. Glinka and P. A. Vyazemsky, as their assessment of the events of Crimean War as the representatives of generation of 1812 was not the subject of research. Their poems fit into the extensive palette of national culture of the mid XIX century, emphasizing their importance for personal perception, as well as testimony to the era. Special attention is given to the oeuvres that express the forming historical memory regarding the siege of Sevastopol during the Crimean War.
Russian culture, historical memory, historical source, fiction, Vyazemsky Pyotr, Glinka Fyodor, the Siege of Sevastopol, Crimean war, the Patriotic War, interdisciplinary approach
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Glinka F.N. Khristos Voskres! // Severnaya pchela. 1854. 15 aprelya.
Glinka F.N. Pozhar Rossii // Severnaya pchela. 1854. 16 marta.
Glinka F.N. Ura! («Byla chudesnaya pora…») // Russkiy invalid. 1854. 6 iyulya.
Vypiska iz pis'ma iz Serbii k Gr. Bl. // Severnaya pchela. 1854. 8 marta.
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Ratnikov K.V. Poetika politiki: invektivnye motivy russkoy stikhotvornoy publitsistiki v gody Krymskoy voyny (1853-1856) // Izvestiya vysshikh uchebnykh zavedeniy. Ural'skiy region. 2016. ¹ 2. S. 78-87.
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Akul'shin P.V. Drug A.S. Pushkina o Krymskoy voyne: knyaz' P.A. Vyazemskiy i ego kniga «Pis'ma russkogo veterana